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[ 2021–2023 ]
Holding The Flood
CURATED BY
MATERIALS
TECHNIQUE
Hadar Marom, Galit Gaon, Tom Cohen, Nir Harmat
Mud crust and thread
Drilling manually and sawing
“Holding the Flood”: Engaging in a slow and meditative process, I meticulously carved holes into the naturally dried crust of the desert sand, then employed drops of water to delicately penetrate the fragile soil, a reflective practice that became a journey of self-discovery upon my return to live in Israel. Each careful stitch in the conversation with my surroundings involved red cotton thread and dried flood sand collected from the Ashosh wadi near Zuquim in the Arava, Israel.
“Holding the Flood”: Engaging in a slow and meditative process, I meticulously carved holes into the naturally dried crust of the desert sand, then employed drops of water to delicately penetrate the fragile soil, a reflective practice that became a journey of self-discovery upon my return to live in Israel. Each careful stitch in the conversation with my surroundings involved red cotton thread and dried flood sand collected from the Ashosh wadi near Zuquim in the Arava, Israel.
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